Lanegan performed two shows in the United States—at the Bowery Ballroom in New York on February 7[12] and at Echoplex in Los Angeles, California on February 9[13]— prior to the European tour which will last from February 24 to April 2. Bluesmoose radio is gonna start a Blues funeral top 50 (or more) of beautiful Blues songs. Enjoy the videos and music you love, upload original content, and share it all with friends, family, and the world on YouTube. [26] Stereogum listed the album as Album Of The Week upon its release and gave a very positive review applauding Lanegan's vocals, the album's synthpop influences and "his most unburdened album in many, many years. In an interview with Mojo, Lanegan described his writing process for the album, saying that: "[all of the songs on the new record] were written right before or during the period when we recorded" and "generally I write on the guitar, but this one I started a few with the keyboard and a drum machine, to do something different. While funeral hymns and sombre music are traditional, the songs we loved in our happiest moments are becoming the memorial songs of choice at many final farewells today. opst.type = 'text/javascript'; opst.src = os_host + '//' + 'www.opinionstage.com/debates/2172148/embed.js'; Lanegan has been a busy man since Bubblegum. Following extensive collaborations with Isobel Campbell, former vocalist and celloist of indie pop band Belle & Sebastian, Lanegan began working on Blues Funeral after the tour in promotion of their third collaborative studio album, Hawk (2010). "[23] Drowned in Sound reviewer Robert Leedham referred to the album as "deliciously callous but cursedly familiar" and added that it was "a record for ardent fans and not casual admirers. var os_host = document.location.protocol == "https:" ? "Leviathan" is the only thing that really approaches blues here, though it's via a 21st century approximation of Led Zeppelin's darker, airier moments on Physical Graffiti. [CDATA[ Blues Funeral is the seventh studio album by American alternative rock musician Mark Lanegan, released on February 6, 2012 on 4AD. Dulli's guest spot on backing vocals on the Ennio Morricone-inspired spaghetti westernism of "St Louis Elegy" is beautifully rendered; Joshua Homme lends his guitar to the over-the-rails rock in "Riot in My House." The album was recorded with producer Alain Johannes throughout early 2011 and Johannes, as well as other musicians including Greg Dulli, David Catching and Jack Irons, contributed to the recording process. We are gonna make a radio show out of it. [1] The album was recorded with producer Alain Johannes throughout early 2011 and Johannes, as well as other musicians including Greg Dulli, David Catching and Jack Irons, contributed to the recording process. While the album is sequenced seamlessly, with varying textures and dynamics, there are standouts. "Harborview Hospital"'s meld of keyboards and guitars touch on U2's Joshua Tree period and late-'80s New Order. BOB BALCH from FU MANCHU). Please tell us!! Blues Funeral Recordings - Independent stoner rock, doom and heavy psych label, including the groundbreaking PostWax series, a curated vinyl subscription. On January 21, 2012, Amazon previewed thirty-second clips of each songs on the album[10] and on January 31, Mojo made the album available for stream in its entirety. Jazz and Blues Songs for Funerals. var opst = document.createElement('script'); }()); // ]]> Bluesmoose live recordings – Video Archive, Bluesmoose live recordings – Video Archive – 2007, Bluesmoose live recordings – Video Archive – 2008, Bluesmoose live recordings – Video Archive – 2009, Bluesmoose live recordings – Video Archive – 2010, Bluesmoose live recordings – Video Archive – 2011, Bluesmoose live recordings – Video Archive – 2012, Bluesmoose live recordings – Video Archive – 2013, Bluesmoose live recordings – Video Archive – 2014, Bluesmoose live recordings – Video Archive – 2015, Bluesmoose live recordings – Video Archive – 2016, Bluesmoose live recordings – Video Archive – 2017, Bluesmoose live recordings – Video Archive – 2018, Bluesmoose live recordings – Video Archive – 2019, Bluesmoose live recordings – Video Archive – 2020, Josh Teskey & Ash Grunwald – Push the Blues Away, Recensie: Elvis: That’s The Way It Is | 50th Anniversary Collector’s Edition, John Mayall: The First Generation 1965 – 1974 (Limited Edition – 35 CD Box), DeWolff lanceert nieuwe single en video voor ‘Yes You Do’, Recensie: Stevie Nicks – Live In Concert: The 24 Karat Gold Tour, Verslag Film & Blues Night – Blues in Wijk 23 oktober 2020, Recensie: Tyler Bryant & The Shakedown – Pressure, Samantha Martin & Delta Sugar – The Reckless One. [15], Blues Funeral was released to positive critical acclaim. With Al [Johannes], I can show him something on acoustic guitar and give him a description and within a couple of hours it's done. Those who liked the moodier, more atmospheric material on the last Mark Lanegan Band offering, 2004's Bubblegum, will find much to enjoy on Blues Funeral -- an album that has little to do with blues as a musical form. Following the release of the album, Lanegan announced two further legs of the tour with five shows in Australia and New Zealand in April[14] and with twelve shows in the United States, Mexico and Canada in May. Electronics also have a prominent place on Blues Funeral-- and not merely as atmospheric add-ons: "Ode to Sad Disco," melds a four-on-the-floor drum loop to high lonesome guitars as Lanegan offers a drifting, surreal, quasi-mystical narrative worthy of Alejandro Jodorowsky. 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